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The Story is a series of works that focuses on moments of disruption and the breaking of serenity within “unthinkable” landscapes. They comment on the climate crisis while reminding us of the fantasies of surreal bedtime stories. The Great Derangement, Climate Change and the Unthinkable, by Amitav Ghosh introduced me to the ‘unthinkable’ ways in which climate change is left out of some industries’ discourse. In particular, this occurs in the publishing world where ‘climate disasters’ are thought of as ‘impossible events’ that challenge the reality of a book, even while such events are happening today. How can I situate the viewer in a world where such ‘unthinkable’ events are the norm?

Lamp: Today, there is a storm (2022)

Book 1: Where the Sidewalk Drowns (2022)

Book 2: The Giving Trees (2022)

Book 3: Dream Swallower (2023)

Process Documentation | W.I.P.

Works

The Story 

Lamp

Today, there is a storm...

2022

16.5" Diameter, H: 10.5"

5 color Screenprint glued to lamp shad

In Today, there is a storm… I aim to remind onlookers of storytelling and the fantastical, preparing a mindset to read what might happen next in “The Story”. The title is a spin off “Once upon a time, there was...” Instead, time is in the present, and is tangible. The design is continuous, and it’s meant to appear different when operating the lamp.  With the light on, the open areas of the print let light through, emphasizing the animals (fleeing from) the storm (represented by clouds and lightning). Smaller details become visible with the backlight. With the light off, the silver layer on top of the CMYK print glimmers. In conjunction with the purple tones, these elements invoke space and the cosmos.

Sidewak

Where the Sidewalk Drowns

2022

Open: 5.5" x 21.5"

Closed 5.5" x 4 x 0.5"

Handmade Accordion Book, Double sided Collagraph, Screen-printed Text 

Dark Version and Light Version 

The front page of the book features the following text, made through screen printing:

 

“It’s 7pm, and we discover that we are 1 egg and 2 cups of sugar short of a batch of cookies. The store is not too far away, about 40 minutes rowing. The street lamps will light our way. We’re looking forward to hot cookies out of the oven if we get back.” 

 

It is followed by a black collagraph of  two people in a rowboat surrounded by choppy waters. The back side of the book also shows two people in a rowboat surrounded by choppy waters. However, they are at a smaller scale, revealing a  flooded street illuminated by street lamps. The gray tone of the paper works with the blue of the book covers and the collagraph to generate a contemplative-moody, and still tone. Where the Sidewalk Drowns juxtaposes the fondly remembered, but annoying task of running out of ingredients when making cookies, with the dangers and increasing frequency of flooding events. 

 

Using modeling paste and a small ridged trowel like object, waves of varying thicknesses were made on the collagraph plates. Detail areas like the boat, and street lamps are the result of PVA and Polyacrylic glue mixed with Carborundum powder. Additionally, to achieve an even tone on the back images, a wash of Carborundum powder was applied to the matrix, except for the “lit” areas. The front and back pages were printed via intaglio on separate pieces of paper that were then glued together to form the final page.

tree

The Giving Trees 

2022

Open: 6" x 21.5"

Closed: 6" x 4" x 0.5"

Handmade Accordion Book, Double sided Laser-cut Relief Print, Screen-printed Text 

Edition of 3

The front page of the book features the following text, made through screen printing:

 

“After backpacking across Europe, I am finally exploring South America! The fauna! The flora! The Giant Vines! Alas, it seems my journey will be a short one. A giant weedwacker has cleared everything not visible from the road. I can even see the river from here. I hope no-one notices from the pictures I took.”

It is followed by a black laser cut relief print of a person, a traveler crying a backpack, emerging from a vine forest. They are in a white silhouette, but still somewhat hidden in the full image. Lines from the laser cutter flow horizontally, implying movement in the still image. The print on the opposite side of the book is also a laser cut relief print. The same figure, at an earlier time, approaches the entrance to the forest. The “trees” loom large above him, and the sky is now visible. This book presents a surreal situation and environment. The juxtaposition of the idea of “Love of nature” with “shallow crow facing motivations,” the expectation of the forest with the reality of logging, and the large “vines” with the insect sized person contribute to that effect.

 

Through the manipulation of images in photoshop and illustrator, the final design images were formatted for use by the laser cutter. Draft board was then engraved and cut to form the two matrices used. The front and back pages were printed via relief on the front and back of the same piece of paper, which was then cut and folded to form the accordion book. The screenprint text was added after.

Dream

Dream Swallower

2023

Handmade book, linoleum relief prints on washi-kozo paper

Edition of 4

The story begins in a town called Allenville, where the miracle of water in the desert is plentiful, until suddenly it isn’t. Overconsumption leads to the collapse of the aquifer beneath the town, and dust clouds settle in the valley after the collapse. 

 

The name of the town “Allenville” was chosen randomly, as to not make any clear associations to a particular place. However, after choosing the name, I looked it up to find that there was a town in Arizona with the same name that was coincidentally abandoned in 1981 after several water related infrastructural issues.

 

Dream Swallower is a rework on an earlier bound book from 2022 that featured some of the same images in addition to screen printed text. I was unsatisfied with the outcome of that book, and decided to rework it into an accordion type book, remove all words to make it a picture book, and remove/add images to develop the story further. Printing this book was particularly challenging due to the differences in the linoleum used (the original blocks vs the new blocks on the same page) and some cut out areas.

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© 2023 by Rachel Kamata. Created with Wix.com

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